Christmas is around the corner and beloved children stories are told once more. Stories we inherit from our parents. But to some of these stories there’s a dark side. Some of these stories subconsciously try to get children to accept certain circumstances for granted rather than to question them.
An adult engaged in writing a book for children may well intend to present a life-affirming vision that communicates cultural values and traditions, but at the same time that adult may consciously or unconsciously induce, even seduce, the child to accept and repeat the neurotic discontents of culture and civilization.
Hamida Bosmajian: “Charlie and the Chocolate Factory and Other Excremental Visions”
Willy Wonka is such a beloved children’s fiction character. But is he actually as sweet as he appears? Or is there a bitter darkness that lurks beneath his sugary surface?
Soon it will be Christmas and we want to tell a now old story again, perhaps to finally end it. The title of this story:
The Downfall Of Channel Awesome
Yes, it may seem strange, but let’s revisit this awkward story. Let’s try to understand it. And then we let it go. The end of a very chaotic year 2022 – 12022 in the human era – with a flashback to a very chaotic ending.
“Funny Paperback” (until 1987 “Walt Disney’s Funny Paperbacks”), LTB for short (from German “Lustiges Taschenbuch”), is a German-language comic publication that has been published by Egmont Ehapa Media since 1967. Paperbacks are usually 256 pages (250 pages comics). By December 2022, 566 volumes had been published. There are also numerous sub-series and new editions.
Comics from the universe around Donald Duck and Mickey Mouse appear in the Funny Paperback. The vast majority of comics come from Italy, and there are also a significant number of comics from Scandinavia. Comics from other countries are rare, e.g. B. in volume # 53, which includes several US stories by Carl Barks. And as this is the 75th episode, Jarmo Dorak gives a quick overview over this series of books.
ASTROCOHORS CLUB is part of the collaboration of ASTROCOHORS COMMAND and PHAN.PRO: ► ASTROCOHORS COMMAND: https://www.astrocohors.com ► PHAN.PRO (German only): https://phan.pro
This is Savy, she runs a channel about books & busines and reviews awful self-help books by scammy business gurus, discuss the ethics of various business practices, talks about her own experiences as a small business owner, and discuss taking down MLM (multi-level marketing) companies. this channel is pro-women, pro-LGBTQ, pro-free-speech, and anti-MLM, anti-scammer, and anti-echo-chamber.
This video is about JK Rowling… you know where this is going, don’t you?
Elon Musk spent decades building something big: himself. Musk managed to sell the world on a persona: the visionary genius billionaire working his hardest to save the the world. And it’s worked: the myth of Elon Musk has made him a lot of money. But what did it cost to get him there? And what does it mean that the richest man in the world build that wealth purely on an image of himself? The Class Room took a deep look into Musk’s entire career: court documents, SEC filings, and interviews to break down the story Elon tells about himself and how he leveraged it to accumulate wealth and power.
“Spirou the Farmer” (French: “Spirou Fermier”) is another adventure of the Belgian comic series “Spirou”, written and drawn by Belgian comic artist Rob-Vel (Robert Velter) and published in the Spirou Magazine in late 1941. It serves as an interlude and shows Spirou trying to become a farmer.
ASTROCOHORS CLUB is part of the collaboration of ASTROCOHORS COMMAND and PHAN.PRO: ► ASTROCOHORS COMMAND: https://www.astrocohors.com ► PHAN.PRO (German only): https://phan.pro
Vaush reacts to Shaun’s tweets about Elon Musk. Vaush agrees with Shaun’s tweets and reacts to some of Elon Musk’s tweets about twitter. Vaush gives his thoughts and also reacts to a lawsuit involving Jeff Bezos and more. Thoughts on Elon Musk? Leave a comment below!
“The Pasted Rooster” (french: “Le Coq Pâte”) is the fourth story in the series “The Little People” (“Les Petit Hommes”) drawn by Seron and first published in Spirou Magazine in 1969. The scenario was conceived by the Belgian journalist and writer Albert Deprechins. In this story one of the Little People’s flyer gets caught in a windvane. The Little People must do everything to prevent being discovered by the “Big Ones”.
ASTROCOHORS CLUB is part of the collaboration of ASTROCOHORS COMMAND and PHAN.PRO: ► ASTROCOHORS COMMAND: https://www.astrocohors.com ► PHAN.PRO (German only): https://phan.pro
From America’s inception, there has always been a rebellious, anti-establishment mentality. That way of thinking has become more reckless now that the entire world is interconnected and there are added layers of verification (or repudiation) of facts.
As the great minds in this video can attest, there are systems and mechanisms in place to discern between opinion and truth. By making conscious efforts to undermine and ignore those systems at every turn (climate change, conspiracy theories, coronavirus, politics, etc.), America has compromised its position of power and effectively stunted its own growth.
A part of the problem, according to writer and radio host Kurt Andersen, is a new media infrastructure that allows for false opinions to persist and spread to others. Is it the beginning of the end of the American empire?
In the last 30 years religion has radicalized American politics and seriously harmed the perception of science, says journalist and author Kurt Andersen. This can be directly tied to the rise of the Christian Right in the 20th century. To see this, you only have to look at the response to the same question posed to Republican presidential candidates over three election cycles, from 2008 to 2016: “Do you believe in Darwinian biological evolution?”
From climate change to Creationism and outright conspiracy theories, Andersen points to how the Republican party has come to increasingly incorporate fantasy and wishful untruths into its approach to social, economic, and foreign policy—and it’s turning America into an anti-science spectacle. Kurt Andersen is the author of Fantasyland: How America Went Haywire (link leads to AMAZON.com).
This video is four years old now, it’s still relevant – and we are in deep trouble…
In the decade since Facebook went public, social media platforms have transformed American society. To understand where the world is today we have to understand what happened the last ten years. Today we have two videos adressing the problem.
First Jonathan Haidt speaks with Hari Sreenivasan about what went wrong and how social media could become less corrosive. Jonathan is a social psychologist, professor, and author whose research examines the intuitive foundations of morality, and how morality varies across cultures—including the cultures of progressive, conservatives, and libertarians. He is the author of The Happiness Hypothesis, and of The New York Times bestsellers The Righteous Mind, and The Coddling of the American Mind, which he co-authored with Greg Lukianoff.
Second, FAIR Perspectives chat with Jonathan about his recent Atlantic article “Why the Past 10 Years of American Life Have Been Uniquely Stupid,” social media and its effects on our discourse and culture, the need for a shared story, the importance of dissent, the distinctions between liberalism and conservatism, the global impact of America’s descent into what he calls “structural stupidity,” and what measures we can take to improve it.
The Foundation Against Intolerance and Racism (FAIR) is a nonpartisan organization dedicated to advancing civil rights and liberties for all Americans, and promoting a common culture based on fairness, understanding and humanity.
Fulmen Grancolline closed the fridge again. Another ice cream. The how many on this day? He had lost count. It didn’t matter. Everything didn’t matter. He was frustrated. Things didn’t go as planned. Poor Antonia. She had been quite busy by Yefimov. She hadn’t imagined it that way either. But what happened?
The anniversary day should be special. The old space station VERI’S BASTION should go into operation. again. There was a hyperspace radio relay on it. Through this radio relay the transmissions of the ASTROCOHORS CLUB were to be sent through the ether and distributed all over the world. Actually not a big deal. Super easy. Barely an inconvenience. In fact, the relay also worked with all the sub-divisions of the CLUB. Only with the transmissions, which went through the headquarters in Iceland, something went wrong. Antonia Bagliarotto, Yefimov’s assistant, was forced to transmit each and every one of these broadcasts by hand. This was not what they had imagined.
Fulmen had a suspicion. The shipments of the departments were processed via an external system. The system belonged to the CUYEL group. The relay also belonged to a corporation. With the troubling events taking place on Earth and in the solar system, the solar division of ASTROCOHORS had now begun to take over systems themselves. They even bought the land on which the various bases stood, such as the ATLANTIS. That guaranteed they were in control. Of course, the corporations didn’t like that. Fulmen suspected that automation via the relay was being slowed down on purpose in the hope that ASTROCOHORS would then continue to use the services of the corporations. But that shouldn’t be the case! The corporations continued to siphon off profits that ASTROCOHORS made. The independence of the head office was bought at a high price. Fulmen hoped Antonia would persevere. These were bad times, ASTROCOHORS had to remain stable. While he was pondering these dark thoughts, Fulmen had returned to his office from the kitchen. He also had work to do. Then he saw the text on the screen: “Warning, transmission from headquarters”. Oh dear, he thought, Antonia is still working too.
We begin this report at the very beginning… what happened so far? First there was nothing, then there was something. Space. Time. Things. Objects. Places. Life. Movement. Or to put in another way:
YouTube
And then, there was YouTube. YouTube is today an American online video sharing and social media platform owned by Google. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is the second most visited website, right after Google itself. YouTube has more than one billion monthly users who collectively watch more than one billion hours of videos each day. As of May 2019, videos were being uploaded at a rate of more than 500 hours of content per minute. This was the first video on YouTube:
In October 2006, YouTube was bought by Google for $1.65 billion. Google’s ownership of YouTube has also changed its business model; it no longer generates revenue from advertisements alone, YouTube now offers paid content such as movies and exclusive content produced by YouTube. It also offers a paid subscription option for watching content without ads, YouTube Premium. YouTube and approved creators participate in Google’s AdSense program, which seeks to generate more revenue for both parties. YouTube’s reported revenue for 2020 was $19.8 billion.
Since its purchase by Google, YouTube has expanded beyond the core website into mobile apps, network television, and the ability to link with other platforms. Video categories on YouTube include music videos, video clips, news, short films, feature films, documentaries, audio recordings, movie trailers, teasers, live streams, vlogs, and more. Most content is generated by individuals. This includes collaborations between YouTubers and corporate sponsors. Established media corporations such as Disney, Paramount, and WarnerMedia have also created and expanded their corporate YouTube channels to advertise to a larger audience.
On YouTube and its competitors a new culture of film making grew. And this is where the next chapter of the story begins.
The Angry Video Game Nerd and Cinemassacre
The Angry Video Game Nerd (abbreviated as AVGN) is an American retrogaming review comedy web series created by and starring James Rolfe. The series centers on Rolfe’s titular skit character, often simply shortened to “the Nerd”, a short-tempered and foul-mouthed gamer who delivers commentary on retro games of poor quality. While the series began with Rolfe simply playing games while delivering a running commentary, the show would eventually grow in scope to encompass sketches featuring guest characters, reviews of gaming consoles and peripherals, and short lectures about video game history and culture. This is his story:
Vlogs and the first “YouTubers”
The existence of YouTube created a new environment for people becoming succesful:
The Knockoffs
If something is succesful, then there are knockoffs. So it happened with the AVGN and others:
Awesome Channels and Guys with Glasses
Also following the AVGN was some Guy with Glasses, from where some great talents came from. But the story didn’t go so well…
And there was a moment in time, when things were falling down:
The Aftermath:
Not so Awesome – Change the Channel
The Logan Paul Controversy
Logan Paul was a guy who went way too far in his videos. After his demise the so-called “Quality Programme” of YouTube, which restricted most YouTuber’s ad revenue.
Ostap Yefimov, the head of the ASTROCOHORS CLUB, looked concerned. He sat behind his desk and kept looking at the graphics that appeared on the computer monitor in front of him. There was no doubt. Of course it had happened. The enemy had really spoiled the organization’s day. The crystal sphere had been put into operation. Who knew those old devices were still in place, out in the Oort cloud? As a result, the solar system was now finally cut off from the rest of the galaxy. Everything would become more difficult now. As if it wasn’t difficult enough already.
Yefimov called for his assistant. Antonia Bagliarotto came to her superior’s office very quickly. “This is maybe an evening,” said Yefimov. “Did you hear it?” “Who hasn’t noticed?” the young woman replied. “So it’s true?” “We’re completely cut off – forever, if you will.” “And what now?” “I’ve already spoken to Admiral McCloud,” Yefimov explained. “We’ll keep going. Until we run out of ideas. Unfortunately, that will mean you have to work harder than we initially thought.” “What? How so?” “The Crystal Sphere is disrupting our communications. You will have to hand-curate the members of the club. At least until we have a new communications facility installed on VERIS BASTION.” “But… how long will that last?” “Unfortunately nobody can tell you that. I hope not for too long.” “Then I shall have to do it.” Yefimov nodded. “What irony. We wanted to celebrate today. It even had a motto: Tempora muntantur, nos et mutamur in ilis.“ “That… is Latin, isn’t it?” “Yes. Times are changing and we are changing with them. Seems we have to prove how well we can change. How well we adapt to changed conditions.” Antonia shrugged. “Then we will. What alternative is there?” “None, exactly.” Bagliarotto gazed into the distance, out the window of Yefimov’s office, at the vast landscape of Iceland. “I… feel like I’m standing on a beach holding the Book of Sanity while a storm comes over the sea.” “It’s a powerful image,” Yefimov confirmed. “Keep that for motivation. No one knows what will happen next. More trouble spots have opened up. Pestilence, wars and uprisings. We have to keep morale high and carry common sense.” “Yes, sir.”
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